The Windiad and the Odyssey

Okinawa Sunset

2 hour bus ride. 12 hours of flight. 4 hours of sleep. 3 hours in transit. 3 countries. 1 hour delay. And 1 random bag search and pat down later, we’re here in America.

Since it’s been years since I’ve returned to the US, I’ve decided to chronicle my adventures with references to Odysseus, another man finding his way home. I’m not the first to do this. It’s one of the most commonly recreated myths. James Joyce wrote Ullysses, about a day in the life of an Irishman that closely follows the original tale. And the Coen brothers’ film O Brother, Where Art Thou is another adaption of the story.

Odysseus
The Odyssey is the saga of Odysseus (or Ullysses in Latin) who unwillingly fought in the Trojan War. After years fighting to a stalemate, he thought up the Trojan Horse, which led to the conquest of Troy and the end of the war.

Now free to return home to his island kingdom of Ithaca, he and his fleet attempt to get back only to experience various monsters, giants, seductresses, and the wrath of several gods. By the end, he is the only survivor and he arrives home to find that his palace is filled with suitors for his queen, Penelope. They eat everything, rape the servant girls, and generally make a nuisance of themselves.

Penelope had for years delayed choosing a suitor because she believed Odysseus to be still alive and also because choosing a suitor would lead to violence from all the other men. She probably also enjoyed the independence. A novel from the perspective of Penelope was written by Margaret Atwood called the Penelopiad. It’s on my reading list.

Windysseus and Tomolope
My own Odyssey will be quite different. Not only will my Penelope be traveling with me, I also have no idea where my Ithaca is. Is it my parents’ home, which I’ve barely lived in? Is it Oregon where I lived for 10 years? Is it my hometown in Southern California, where I have no plans to visit this time around? Or is it Tokyo, where I live now? As I wrote earlier, I’ve had so many address in my life, my home is wherever I am. Or as Ursual LeGuin wrote I am “always coming home.”

Roses and Crowns

at the rose and crown

Pining for Thorns at The Rose and Crown

Monday was Sea Day and most people had the day off. We had a mini UK reunion at a pub in Yurakucho, which is near Ginza. The Rose and Crown, on the surface, is quite authentic. As shabby as much of England is, the pubs are always meticulously cared for. And the Rose and Crown follows this practice, with its busy baroque patterns, dark woods, and dour bartenders.

Though they serve the beer in imperial pint glasses (which are larger than American pints) there is a bit of foam on top unlike in England. Real British pints are filled up to the very top. No foam. Still, it’s far better than other Tokyo bars where the beer is about 25-33% foam. Their signature beer, the Rose Ale, has a bit of bite, but it’s suited to Japanese tastes. It’s better in the half-and-half.

pretty fish and chips

We all ordered fish and chips but it wasn’t anything like real fish and chips. First of all, it wasn’t greasy enough. It was served in four small pieces, accompanied by pretty potato wedges. Fish and chips should be big, in one piece, liberally breaded, wrapped in newspaper, soaking up the oil. The fish and chips at the Rose and Crown was disappointingly healthy and palatable.

Nevertheless, whenever I’m in the neighborhood, I like to pop in for a pint. It felt like “home” the first time I wandered in, fresh from England. And by “home”, I mean like an ex-con pining for the prison mess hall. There’s a happy hour until 7pm. I recommend going there then because otherwise the beer costs nearly 1,000 yen. There’s also a fine scotch list if that’s your fancy.

But pining for “home” was really about missing the great community of friends I had in England. Of the 100 or so who were in my MA program, about 80 were non-British. We were a close-knit multinational group of fun-loving people. Our department, Peace Studies, was referred to by others as Party Studies since we were always organizing events with each other.

So it’s always great to see my old friends from England. On Monday, though they were all Japanese, they still spoke English with each other. Probably out of respect for my terrible Japanese, and maybe because that was the language they spoke when they lived among each other in England. It’s also typical of Japanese hospitality. I’ve found that most Japanese don’t mind that foreigners have lived in their country for years and still can’t speak the language. I think it’s embarrassingly arrogant that so many of us can’t. I’ve got to write more about this later.

Disturbing the Peace in Hibiya Park

We had a good time at the pub, but afterwards we opted to buy liquor at the convenience store and continue our party at Hibiya Park, which used to be owned by feudal lords. There were lots of couples taking in the breezy evening air, and a small homeless encampment made of blue tarps and cardboard boxes in one corner of the park.

Unlike in the US, it’s perfectly legal to drink in public. We sat outside in the warm breezy summer night and chatted and laughed. Continuing the British theme, the gardens at Hibiya Park were landscaped to look like something out of Kensington Gardens. The lawns are cordoned off with decorate wrought iron chains.

I suggested that we step over the low chain and sit on the grass, but my fellow merrymakers felt this was forbidden, which it probably was. So public drinking and homeless squatters are acceptable but the lawn was off-limits? After hanging out on the benches and looking at the inviting grass, the American in me said, hey who’s it hurting if we sit down on the grass? So that’s what we did. After all, in this globalized world, we should be blending the best of all traditions. In this case, public drinking and sitting on the lawn were an excellent cross-cultural match.

on the lawn

Apocalypto

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Apocalypto is the story of a young Mayan tribesman, Jaguar Paw, whose village is destroyed and the villagers killed or taken captive by a party of fierce raiders led by the intimidating Zero Wolf and taunted by the cruel, menacing Middle Eye. Because of a recent plague and drought we discover that the men will be sacrificed to appease the gods, and the women will be sold to slavery.

As in all of Mel Gibson’s movies there are many inaccuracies or distortions. For instance, mass human sacrifice was more a feature of Aztec culture, and was only practiced by some Mayans that neighbored the Aztecs. The first Spaniards arrived long after the Mayan civilization had collapsed. There is no evidence to support mass graves, or even widespread slavery.

The movie also ignores Mayan achievements, focusing on imagined depravities instead of their mastery of mathematics, agriculture, astronomy, literature and art. However, the film is a fable of the collapse of a society. Many of the reasons for their collapse correspond to what Jared Diamond writes about in his book, Collapse. Diamond devotes several chapters to the Mayan case study, citing drought, possibly lasting 200 years, as a factor.

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Historical inaccuracies aside, Mel Gibson’s Apocalypto is gorgeously made. The costumes, the hair styles, the tattoos and piercings were all copied from Mayan artifacts. Although, elements from various historical periods and geographic locations were conflated into one Mayan aesthetic. The Classical Period, for instance, lasted almost 700 years. So I imagine it would be like mixing George Washington’s wig and breeches, with Kennedy’s pinstripe suit and Lincoln’s top hat to represent an American aesthetic. Still, for someone not well-versed in Mayan culture, it was pure, enjoyable eye candy.

The use of the Mayan language is an inspired layer of realism, with most of the cast actual Mayans. Several of the leads weren’t Mayan, but the exclusive casting of an all Native American cast lends an aura of credibility to the film.

From a narrative standpoint, the story moved briskly, with lots of action. Jaguar paw’s escape is one of the highlights of the film as he begins to hunt his pursuers in his own element, the jungle. But if you’re sensitive to graphic violence, this may be a movie you might avoid.

Knowing Mel Gibson’s evangelical Christian bias, the arrival of the Spaniards probably represents the salvation of a sick, heathen society. The allegory of a decaying society, rotting away from within, is reinforced several times throughout the film. A shaman tells of the story of a never-satisfied man. A girl, afflicted with disease, prophesizes destruction of the captors.

All of these commentaries within the story are warnings of the possible decay that we may be facing, contributing to our own collapse. Intended or not, we are warned of the false embrace of religion that arises out of fear, whether it be sacrifice to one priest in a headdress or another bearing a crucifix.

Mr. Vey the Tuk-tuk Driver: Khmer Notes no. 8

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It’s been a while since I’ve written anything about my Cambodia trip. It’s been over 6 months now and I still haven’t finished downloading all the pictures from that trip into flickr. I put in another batch tonight and now I’m halfway through. While linking to those pictures, I’ve decided to reprint some parts of my journal from the trip.

In this excerpt, I’ve put together some passages about our tuk-tuk driver, Mr. Vey. A tuk-tuk is a moped-driven carriage. I’ve seen them all over Southeast Asia. I was surprised that T wanted to travel around exclusively in them. They’re open to the wind, dust and exhaust. The ride is bumpy and in the early mornings it’s quite chilly. But T loved them and that’s how we got around. Thankfully, we had the good fortune to have a great, reliable, courteous driver.

Mr. Vey and his tut-tut

Mr. Vey, December 2007
Our driver is a young-looking man named Mr. Vey (pronounced “By”). The hotel referred him to us on the first day, and we’ve been hiring him every day. We like him because he’s not aggressive, pesky or talkative. Most drivers try to arrange other trips or take you to shops where they get a commission. But he’s totally mellow. We like that.

In fact, he seems reluctant to be hired every day. It’s almost comical. Maybe he’s doing pretty well already. Doesn’t need the money. Or maybe he doesn’t want to pick us up at 7:30 am. I know I wouldn’t. But he’s stuck with us. And leaving for the temples at 7:30 is the only way to avoid the heat and the busloads of the tourist hordes.

On the second day, in a hushed tone he asked us to pick us up around the corner because the hotel charges him some amount. I’m not sure what the system is but the hotel staff appear to be very powerful since they can heavily influence where and to whom tourist dollars are spent.

After a few days he warmed up to us and I started asking him questions about him. It turns out that he’s not so young. In fact he’s 38, a little older than me. He shook my hand when I told him my age. It also turns out he has a wife and two daughters, lives in a village near the Central Market, and has been driving for seven years. He couldn’t understand that I didn’t have kids. He asked me several times just to be sure. And then looked on us in pity.

He has an understated sense of humor like when I asked to take a picture with him and he mimicked a street urchin and said, “one dollar, one dollar” with a straight face that broke into a mischievous smile. I get the feeling he’s a pretty sarcastic guy when he’s relaxing with his buddies. But he’s low-key about it.

On the last day, he was supposed to pick us up to go to the airport. But, uncharacteristically, he never showed up. After an hour of waiting we hired another driver to take us there. After over a week of punctuality, we were afraid that maybe he’d gotten into an accident or had some kind of trouble. Hopefully he’s okay.

Thank you Mr. Vey for driving us around safely!

For more posts about Cambodia click here. For the burgeoning photo set click here.

World Press Photo 08

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The Exhibit
Finalists of the World Press Photo 08 awards can be seen at the Tokyo Metropolitan Museum of Photography in Ebisu. While a journalistic award, the judges make it a point to explain that the artists are chosen based on the artistic merits of the photographs and not as representative of important issues. Nevertheless, there are plenty of important issues touched upon.

For instance, the 1st prize series captures activities of US and Afghan soldiers in a backdrop of stunning forested mountains, as well as blurred intimate moments of anguish. There’s a Kurdish women’s rebel/resistance military camp. And the sad stories of violent elections in the Democratic Republic of Congo and Kenya.

world-press-photo-1-akintunde-akinleye-nigeria-reuters.jpg Continue reading